Jonathan Lasker

BornJuly 30, 1948, Jersey City, NJ

 

Education

1975-77School of Visual Arts, New York, NY

1977California Institute of the Arts, Valencia, CA

 

Awards

1987National Endowment for the Arts Fellowship Grant

1989New York Foundation for the Arts Fellowship Grant

1989National Endowment for the Arts Fellowship Grant

2000Honorary Visiting Professorship, The London Institute, London, England

2011American Academy of Arts and Letters, New York, Arts and Letters Award

 

Solo Exhibitions

1981Landmark Gallery, New York

Gunnar Kaldewey, Düsseldorf, Germany

1984Annette Gmeiner, Kirchzarten, Germany

Tibor De Nagy, New York

1986Michael Werner, Cologne, Germany

Tibor De Nagy, New York

Massimo Audiello, New York

1987Michael Werner, Cologne, Germany

Anders Tornberg, Lund, Sweden

1988Massimo Audiello, New York

Gian Enzo Sperone, Rome, Italy

1989Massimo Audiello, New York

1990Michael Werner, Cologne, Germany

Anders Tornberg, Lund, Sweden

1991Gian Enzo Sperone, Rome, Italy

Schmidt Markow Gallery, St. Louis, MO

Annette Gmeiner, Stuttgart, Germany

Lars Bohman, Stockholm, Sweden

Sperone Westwater, New York

1992Institute of Contemporary Art, Univ. of PA, Philadelphia, PA

Thaddaeus Ropac, Paris, France

Baumgartner Gallery, Washington, D.C.

Eugene Binder, Dallas, TX

1993Witte de With Center for Contemporary Art, Rotterdam, Holland

Rhona Hoffman, Chicago, IL

Bernd Klüser, Munich, Germany

Sperone Westwater, New York

1994Galerie Buchmann, Basel, Switzerland

Lars Bohman, Stockholm, Sweden

Bravin Post Lee, New York

1995Soledad Lorenzo, Madrid, Spain

L.A. Louver, Los Angeles, CA

1996Sperone Westwater, New York

1997Velge et Noirhomme, Brussels, Belgium

Thaddaeus Ropac, Paris, France

Galerie Kienzle und Gmeiner, Berlin, Germany

Galleria Milleventi, Turin, Italy

Schmidt Contemporary Art, St. Louis, MO

1997-98Kunsthalle Bielefeld, Bielefeld, Germany; Stedelijk Museum, Amsterdam, Holland; Kunstverein St. Gallen im Kunstmuseum, St. Gallen, Switzerland, “Jonathan Lasker: Paintings 1977-1997”

1998Timothy Taylor, London, England

Centre Nicolas Pomel, Association Art Contemporain, Issoire, France, “Jonathan Lasker: Paintings 1986-1997”

Soledad Lorenzo, Madrid, Spain

1999Sperone Westwater, New York

1999-2000Forum for Contemporary Art, St. Louis, MO; The Power Plant Contemporary Art Gallery at Harbourfront Centre, Toronto, Canada; Rose Art Museum,Brandeis University, Waltham, MA; Birmingham Museum of Art, Birmingham, AL, “Jonathan Lasker: Selective Identity – Paintings from the 1990’s”

2000Jan Weiner, Kansas City, MO, “Complete Print Survey”

Thaddaeus Ropac, Paris, France

2001Lars Bohman, Stockholm, Sweden

2002Sperone Westwater at the A.D.A.A. Art Show, New York

Galerie Kienzle und Gmeiner, Berlin, Germany

Galeri Wang, Oslo, Norway

2003Thomas Schulte, Berlin, Germany, “Drawings”

Palacio de Velazquez, Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain; K-20 Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Germany, “Jonathan Lasker: Paintings, Drawings, Studies 1977-2003”

Sperone Westwater, New York, “Drawing and Painting”

2004Timothy Taylor, London, England, “Coloured Scribbles”

2005Galleria Cardi & Co., Milan, Italy

Kunsthallen Brandts Klædefabrik, Odense, Denmark; Pori Taide Museo, Pori, Finland, “Jonathan Lasker: From Drawing to Painting to Drawing”

2006Galerie Thaddaeus Ropac, Salzburg, Austria

Galerie Alain Noirhomme, Brussels, Belgium

2007Cheim and Read, New York, NY

Sabine Knust, Munich, Germany, “Drawings 1979 – 2007”

Timothy Taylor, London, England, “Studies for Paintings 1986 – 2006”

2008Thomas Schulte, Berlin, Germany

Portland Art Museum, Portland, Oregon

2009Lars Bohman, Stockholm, Sweden

2010L.A. Louver, Los Angeles, California

Alain Noirhomme, Brussels, Belgium

2011Timothy Taylor, London, England, “Jonathan Lasker: The 80s”

2012Thaddaeus Ropac, Paris, France, “Recent Paintings”

Lars Bohman, Stockholm, Sweden, “Jonathan Lasker: The 80s”

Cheim and Read, New York, “Jonathan Lasker: Early Works 1977-1985”

Thomas Schulte, Berlin, Germany, “Jonathan Lasker: The 80s”

2014Peter Lund, Oslo, Norway

2015Musee d’Art Moderne et Contemporain de Saint-Étienne Métropole, St. Étienne, France, “Jonathan Lasker: Paintings 2001-2014”

2016Cheim and Read, New York

2017Bohman-Knäpper, Stockholm, Sweden

2018Maruani Mercier, Brussels, Belgium

 

Selected Group Exhibitions

1981Landmark Gallery, New York

Tony Shafrazi, New York

Novo Gallery, New York

Patrick Verelst, Antwerp, Belgium

1982Landmark Gallery, New York, “Tenth Anniversary Exhibition”

1983Tibor De Nagy, New York, “On An Intimate Dimension”

Hamilton Gallery, New York, “New Biomorphism and Automatism”

1984Tibor De Nagy, New York, “Fact and Fiction”

Gabrielle Bryers, New York, “Jonathan Lasker/Renee Lynch”

Proctor Art Center, Bard College, Annandale-on-Hudson, NY

Hadler Rodriguez Gallery, New York

198555 Mercer Gallery, New York, “2. Smart Art, Too,” Joseph Masheck, Curator

Cash/Newhouse Gallery, New York, “Final Love”, Collins & Milazzo, Curators

Carpenter Center for the Visual Arts, Harvard University Cambridge, MA,”Smart Art: New Work from NY”, Joseph Masheck, Curator

Postmasters Gallery, New York, “Paravision”, Collins & Milazzo, Curators

Wolff Gallery, New York, “Abstract Painting”

Tibor De Nagy, New York, “Summer Exhibition”

Museum Ludwig, Cologne, Germany, “Kölner Herstsalon”

Sherry French Gallery, New York, “Abstract/Issues”, Steven Madoff, Curator

Wacoal Art Center, Tokyo, Japan, “Vernacular Abstraction”

Tibor De Nagy, New York, “Cult and Decorum”, Collins & Milazzo, Curators

Jay Gorney Modern Art, New York

1986Annette Gmeiner, Kirchzarten, Germany, “Drawings”

Rose Art Museum, Brandeis University, Waltham, MA

Carnegie Mellon University, Pittsburgh, PA; Klein Gallery, Chicago, IL, “Abstraction/Abstraction”, Elaine King, Curator

Margo Leavin, Los Angeles, CA, “Paravision II”, Collins & Milazzo, Curators

Tony Shafrazi, New York, “What It is”, Wilfried Dickhoff, Curator

American Fine Arts Co., New York, “Modern Sleep”, Collins & Milazzo, Curators

Tibor De Nagy, New York, “The Kaldewey Press”

Hirschl & Adler Modern, New York, “The Intuitive Line”

1987Rathbone Gallery, Russell Sage College, Albany, NY, “The Shape of Abstraction”

Laurie Rubin, New York, “Interstices”, Jonathan Seliger, Curator

The Corcoran Gallery of Art, Washington, D.C., “Fortieth Biennial Exhibition of Painting”, Ned Rifkin, Curator

Postmasters Gallery, New York

Aldrich Museum of Contemporary Art, Ridgefield, CT, “Post-Abstract Abstraction”, Eugene Schwartz, Curator

Renaissance Society, University of Chicago, Chicago, IL; Newport Harbor Art Museum, Newport Beach, CA, “Cal-Arts:Skeptical Belief(s)”

Massimo Audiello, New York

Annette Gmeiner, Stuttgart, Germany, “Meine Maler”

Michael Werner, Cologne, Germany

Mayor Rowan Gallery, London, England, “New York, New Art”

1988Saatchi Collection, London, England, “N.Y. Art Now”

Lang & O’Hara, New York

Rooseum, Malmo, Sweden, “Art At The End Of The Social”, Collins & Milazzo, Curators

University of North Texas, Denton, TX; J. B. Speed Art Museum, Louisville, KY; Alberta College of Art, Edmonton, Canada; Contemporary Arts Center, Cincinnati, OH; Richard F. Brush Gallery, St. Lawrence University, Canton, NY; Santa Fe Community College, Gainesville, FL, “Hybrid Neutral”, a traveling exhibition organized by Independent Curators International, New York; Collins & Milazzo, Curators

The Metropolitan Museum of Art, Thomas J. Watson Library, New York, “The Kaldewey Press”

Kunstverein Hochrhein e.v., Villa Berberich, Bad Säckingen, Germany, “Schwarzwaldbild”

White Columns, New York, “Benefit Exhibition”

1989Shea & Beker, New York, “Diagrams & Surrogates”, Saul Ostrow, Curator

Stedelijk Museum, Amsterdam, Holland, “Horn of Plenty”, Gosse Oosterhof, Curator

Emily Lowe Gallery, Hofstra University, Hempstead, NY, “The Pellizzi Collection”

Thaddaeus Ropac Gallery, Salzburg, Austria, “The Silent Baroque”, Christian Leigh, Curator

Galleria Regionale di Palazzo Bellomo, Siracusa, Italy, “Specchi Ustori”, Demetrio Paparoni and Michelangelo Castello, Curators

Daniel Newburg, New York, “Drawings”

1990Marc Richards Gallery, Los Angeles, CA, “Spellbound”, Christian Leigh, Curator

Scott Hansen Gallery, New York, “Token Gestures”, Collins & Milazzo, Curators

Anders Tornberg, Lund, Sweden

Real Art Ways, Hartford, CT, “Mythic Moderns”, Jude Schwendenwien, Curator

Nicole Klagsbrun, New York, “Benefit Exhibition”

Joensuu Art Museum, Joensuu, Finland, “Maailmat, Worlds ’90 International Art Show”

Daniel Weinberg, Los Angeles, CA, “Benefit Exhibition”

Tony Shafrazi, New York,”The Last Decade: American Artists of the 80’s”, Collins & Milazzo, Curators

Pace Gallery, New York, “Painting Alone”, Rainer Crone and David Moos, Curators

Philippe Briet, New York, “Clifford Still: A Dialogue”, Alan Jones, Curator

New York Public Library, Gottesman Exhibition Hall, New York, “On Paper: The History of an Art”

Tibor De Nagy, New York, “Fortieth Anniversary Exhibition”

1991Wolff Gallery, New York, and Feigen, Inc., Chicago, IL,”Strategies for the Next Painting”, Saul Ostrow, Curator

Grossman Gallery, School of the Boston Museum of Fine Arts, Boston, MA, “Between Intuition and Reason, Saint Clair Cemin /Jonathan Lasker”

Usdan Gallery, Bennington College, Bennington, VT, “Hybrid Abstract”, Joshua Decter, Curator

Gallery of Modern Art, Bologna, Italy, “Anni Novanta”, Renato Barilli and Pier Giovanni Castagnoli, Curators

Perry Rubenstein, New York, “The Thing”, Vik Muniz,Curator

Sperone Westwater, New York

Hirshhorn Museum and Sculpture Garden, Washington, D.C., “New Acquisitions”

Weatherspoon Art Gallery, Greensboro, NC, “Art on Paper”

John Good, New York, “The Metaphysics of Light”, Demetrio Paparoni, Curator

Sidney Janis, New York, “Conceptual Abstraction”

Matthew Marks, New York, “Benefit Exhibition”

1992Max Protetch, New York, “Stubborn Painting: Now and Then”, Ruth Kaufman and Mike Metz, Curators

Sandra Gehring, New York, “Shades of Difference”, Shirley Kaneda, Curator

Gallerie Nächst St. Stefan, Vienna, Austria, “Abstrakte Malerie Zwischen Analyse Und Synthese”

Dayton Art Institute & Museum of Contemporary Art, Wright State University, Dayton, OH, “The City Influence”, Barry Rosenberg, Curator

P.S. 1 Museum, Long Island City, NY, “Slow Art: Painting In New York Now,” Alana Heiss and Warren Niesluchowski, Curators

Museo Regione Autonoma Della Valle D’Aosta, Aosta, Italy,”Theoretically Yours”, Collins & Milazzo, Curators

Schmidt Contemporary Art, St. Louis, MO, “Abstract Painting 1992”

Documenta Halle, Kassel, Germany, “Documenta IX”

Rolf Ricke, Cologne, Germany, “Kinder! Macht Neues!”

Sperone Westwater, New York

Morat Institut Für Kunst Und Kunstwissenschaft, Freiburg, Germany, “Kunstprodukt Heimat”, Klaus Merkel, Curator

Thaddaeus Ropac, Paris, France

Annina Nosei, New York, “Who’s Afraid of Duchamp, Minimalism And Passport Photography?”, Collins & Milazzo, Curators

Galleria Galliani, Geneva, Italy

1993Ruth Bloom, Los Angeles, CA, “The Brush Stroke”

Hirshhorn Museum & Sculpture Garden, Washington, D.C., “The Permanent Collection Revisited”

Thaddaeus Ropac, Paris, France, “New York on Paper”

Peggy Guggenheim Collection in association with the Venice

Biennale, Venice, Italy; Guggenheim Museum Soho, New York, “Drawing the Line Against Aids”

Pamela Auchincloss, New York, “Color”

Sammlung Götz, Munich, Germany, “New York Painters”

Baumgartner Gallery, Washington, D.C. “New Moderns”, Joseph Masheck, Curator

Art Museum of the Americas, Washington, D.C., “Off the Mall: Inside Washington’s Foremost Art Galleries”

Raymond Bollag, Zürich, Switzerland, “Zeichnungen Setzen Zeichen, Künstler Der Documenta IX”

Galerie Nächst St. Stephan, Vienna, Austria

Grolier Club, New York, “The American Livre De Peintre”

Sperone Westwater, New York, “The Spirit of Drawing”

Galleria Nationale D’Arte Moderna, San Marino, Italy, “Italy- America: Abstraction Redefined”, Demetrio Paparoni, Curator

Paolo Goyannes, Paris, France; Tennisport, Long Island City, NY, “Jours Transquilles a Clichy”, Alain Kirili, Curator

Sperone Westwater, New York, “Summer Exhibition”

1994Gallery Bardamu, New York, “Possible Things”, Vik Muniz, Curator

Todd Gallery, London; John Hansard Gallery, University of Southampton, Southampton, England, “Choice, Chance and Irony”

Hayward Gallery, London, England,”Unbound: Possibilities in Painting”, Greg Hilty and Adrian Searle, Curators

Gallerie De L’Ecole Des Beaux-Arts, Lorient, France, “Le Temps D’Un Dessin”, Philippe Briet, Curator

Thread Waxing Space, New York, “Written/ Spoken/ Drawn in Lacanian Ink”

Bravin Post Lee, New York

Rhona Hoffman, Chicago, IL, “Painting”

Charles Cowles, New York, “About Color”

Galleri F15 Alby, Moss, Norway, “8 Rooms for Painting”, Gertrud Sandquist, Curator

Sperone Westwater, New York, “Summer Exhibition”

U.C.L.A. at the Armand Hammer Museum of Art, Los Angeles, CA, “The Assertive Image: Artists of the Eighties from the Eli Broad Family Foundation”

Robert Miller, New York, “Abstract Works on Paper”

Schmidt Contemporary Art, St. Louis, MO, “On Paper”

Center for the Fine Arts, Miami, FL, “Abstraction: A Tradition of Collecting”

Galleries Caterina Fosati, Eva Menzio, Giovanni Rimoldi, Turin, Italy, “American Painting Now”

Galleria Carini, Prato, Italy, “Tutti Questi Mondi”

1995Sperone Westwater, New York, “Emblems and Contours”

Museo De Arte y Diseno Contemporaneo, San Jose, Costa Rica, “Mesotica (the America Non-Representiva)”

Virginia Museum of Fine Arts, Richmond, VA, “Repicturing Abstraction”

Sarah Campbell Blaffer Gallery, University of Houston, Houston, TX; Illingworth Kerr Gallery, Alberta College of Art, Edmonton, Canada; Sheldon Memorial Art Gallery, University of Nebraska, Lincoln, NE; U.C.L.A. at the Armand Hammer Museum of Art, Los Angeles, CA; Crocker Art Museum, Sacramento, CA; Madison Art Center, Madison, WI; Lowe Art Museum, Coral Gables, FL; Krannert Art Museum, University of Illinois, Champaign, IL; Frederick R. Weisman Museum, University of Minnesota, Minneapolis, MN, “Critiques of Pure Abstraction”, a traveling exhibition organized by Independent Curators International, New York, Mark Rosenthal, Curator

Museum of Contemporary Art, Helsinki, Finland, “Ars ’95”

Casino Luxembourg, Luxembourg, “Swinging Sixties, Sparkling Nineties”

Barbara Farber, Amsterdam, Holland, “Architecture of the Mind”, David Moos, Curator

Kunstverein Rheinland-Westfalen, Düssledorf, Germany; Württembergischer Kunstverein, Stuttgart, Germany, “Das Abenteuer Der Malerei”, Raimund Stecker and Martin Hentschel, Curators

Museo Alejandro Otero, Caracas, Venezuela, “Transatlantica: The America Europa Non-Representiva”, Jacob Karpio and Ruth Auerbach, Curators

Museum Folkwang, Essen, Germany, “Positionen: Beobachtungen Zum Stand Der Malerei In Den 90er Jahren”

Sperone Westwater, New York, “Summer Exhibition”

Contemporary Art Museum, University of South Florida, Tampa, FL; Wolfson Galleries, Miami-Dade Community College, Miami, FL; Robert Hull Fleming Museum, University of Vermont, Burlington, VT, “Refab -Painting Abstracted, Fabricated and Revised”, Shirley Kaneda and Rochelle Feinstein, Curators

Charles Cowles Gallery, New York, “Under Glass”

Deutsches Haus, Columbia University, New York, “More Hysteria Please”, Josefina Ayerza, Curator

Manfred Baumgartner, Washington, D.C.

Centre National D’Art Contemporain, Grenoble, France, “Morceaux Choisis Du F.N.A.C.”

Kunstverein St. Gallen im Kunstmuseum, St. Gallen, Switzerland,”Colour and Paint”

L.A. Louver, Los Angeles, CA

1996Friedrich Petzel, New York, “Screen”, Joshua Decter, Curator

Thaddaeus Ropac, Paris, France and Salzburg, Austria, “Pratiques Abstraites”

Banque Bruxelles Lambert, Brussels, Belgium, “Art at Work”

Monika Sprüth, Cologne, Germany, “Malerei II”

Palacio de Velazquez, Museo Reina Sofia, Madrid, Spain; Kunsthalle Bielefeld, Bielefeld, Germany; Museu D’Art Contemporani, Barcelona, Spain, “Nuevas Abstracciones”, Enrique Juncosa, Curator

Rolf Ricke, Cologne, Germany, “Form Als Ziel Mündet Immer In Formalismus”

Sperone Westwater, New York, “Summer Exhibition”

Gotland Konstmuseum, Gotland, Sweden, “The New York Scene”

Robert McClain, Houston, TX, “Investigations: American Abstraction”

Kunsthalle Zurich, Zurich, Switzerland, “Playpen & Corpus Delirium”

Forum for Contemporary Art, St. Louis, MO, “Reconditioned Abstraction”, Martin Ball, Curator

Bravin Post Lee, New York

MacDonald Stewart Art Center, University of Ontario, Guelph, Canada, “New York Abstraction”, David Moos, Curator

Baumgartner Galleries, Washington, D.C., “12 Years After: Jonathan Lasker, Thomas Nozkowski, Gary Stephan”

LaGuardia Hall, Brooklyn College, Brooklyn, NY, “The New Narrative Abstraction”, Maria Rand, Curator

1997Musee d’Art Moderne, St. Étienne, France, “Abstraction/Abstractions Geometrie Provisoires”, Eric De Chassey and Camille Morineau, Curators

Baumgartner Galleries, Washington, D.C., “New York on Paper”

Bernd Kluser, Munich, Germany

Newhouse Center for Contemporary Art, Snug Harbor Cultural Center, Staten Island, NY, “After the Fall: Aspects of Abstract Painting Since 1970”, Lilly Wei, Curator

Bertha & Karl Leubsdorf Art Gallery, Hunter College, New York, “Turning the Corner: Abstraction at the End of the Twentieth Century”

Sperone Westwater, New York, “Summer Exhibition”

Peter Stuyvesant Foundation, Amsterdam, Holland, “Groi in de Collectie”

Johnson County Community College Gallery of Art, Overland Park, KS, “Essential Gestures”

Berufsvereinigung Der Bildenden Künstler Voralsberg, Künstlerhaus Palais Thurn und Taxis, Bregenz, Austria, “Licht Raum….Schwarz”

1998Mark Müller, Zürich, Switzerland, “Sensation der Farbe”

Museum of American Art of the Pennsylvania Academy of Fine Arts, Philadelphia, PA, “Pop/Abstraction”, Sid Sachs, Curator

White Columns, New York, “Raise the Roof: Benefit Exhibition”

Gallerie Evelyne Canus, La Colle-Sur-Loup, France, “Painting Objectives”, Shirley Kaneda, Curator

Malmø Konsthall, Malmø, Sweden, “Arterias: Collection of Contemporary Art Fundacio La Caixa”

Timothy Taylor, London, England

Feigen Contemporary, New York, “Exploiting the Abstract”, Shirley Kaneda, Curator

Max Protetch, New York, “From Here to Eternity: Painting 1998”, Ruth Kaufmann, Curator

Thaddaeus Ropac, Salzburg, Austria, “The Erotic Sublime”

Sperone Westwater, New York, “Summer Exhibition”

Galleria Siboney, Santander, Spain, “Abstracciones”

Sperone Westwater, New York, “Ideas for the Home”

Cleveland Museum of Art, Cleveland, OH, “Cleveland Collects Contemporary Art”, Tom Hinson, Curator

1999Timothy Taylor, London, England, “Works on Paper”

Greene Naftali, New York, “Free Coke: Lines, Drawing & Paper”

Von Lintel & Nusser, Munich, Germany, “One by One: Painting Versus Drawing”

Feigen Contemporary, New York, “Benefit Exhibition”

Schmidt Contemporary Art, St. Louis, MO, “Mixed Bag”

Galerie Thaddaeus Ropac, Salzburg, Austria, “Abstrakt”

Johnson County Community College Gallery of Art, Overland Park, KS, “In Site: Constructing the JCCC Collection”

Menil Collection, Houston, Texas, “17 Contemporaries”

Rose Art Museum, Brandeis University, Waltham, MA,”Contemporary Abstract Painting”

Daniel Templon, Paris, France

Tricia Collins Contemporary Art, New York, “N.F.S.”

The Box Associati, Turin, Italy; Les Filles du Calvaire, Paris, France, “Super-Abstr-Action”

2000Galerie Naechst St. Stephan, Vienna, Austria

Jan Weiner, Kansas City, MO, “Universal Abstraction 2000”

Timothy Taylor, London, England, “Works on Paper”

Susquehanna Art Museum, Harrisburg, PA, “Post Pop”

Michael Hue-Williams, London, England, “Paintings, I Love”

Eugene Binder, Long Island City, N.Y.

Loggetta Lombardesca, Ravenna, Italy, “Arte Americana, Ultimo Decennio”, Claudio Spadoni, Curator

Aargauer Kunsthaus, Aarau, Switzerland, “Das Gedaechtnis der Malerei: Ein Rueckblick auf das 20. Jahrhundert”

Timothy Taylor, London, England, “Lasker, Scully, Barcelo, Kuitca, Dokoupil, Baechler”

Marcel Sitcoske, San Francisco, CA, “Lasker, Marcaccio, Usle”

Palazzo Cavour, Turin, Italy, “da Warhol al 2000: Gian Enzo Sperone, 35 Anni di Mostre fra Europa e America”

The American Embassy, Bratislava, Slovakia, “Works on Paper 2000”

Crocker Art Museum, Sacramento, CA, “Rough Edge: Selections from the Broad Art Foundation”

2001Kunstverein St. Gallen im Kunstmuseum, St. Gallen, Switzerland, “Künstlerraume / Sammlerräume”

Kevin Bruk, Miami, FL, “New Paintings”

Sala de Exposiciones del Palacio Episcopal, Málaga, Spain, “Encuentros: Dialogos de Complicidad en la Pintura Internacional”

Rudolfinum Centre for Contemporary Art, Prague, Czech Republic, “American Art from the Goetz Collection”

Johnson County Community College, Overland Park, Kansas, “New Acquisitions”

Thaddaeus Ropac, Salzburg, Austria, “Geometrie & Gestus”

Dee Glasoe, New York, “Boxy”, Carl Ostendarp, Curator

Kunsthallen Brandts Klaedefabrik, Odense, Denmark; Pori Art Museum, Pori, Finland, “Patterns: Between Object and Arabesque”

The Broad Art Foundation, Santa Monica, CA

Sperone Westwater, New York, “Green on Greene”

Staedtische Galerie Waldkraiburg, Waldkraiburg, Germany; Kunstverein Neuhausen, Neuhausen / Fildern, Germany, “Die Sammlung als Bild: Kugelkopf”, Klaus Merkel, Curator

Timothy Taylor, London, England, “Content is a Glimpse”

Galerie Academia & Galerie Mario Mauroner, Salzburg, Austria, “Concepts of Images”, Lorand Hegyi, Curator

Dalton Gallery, Agnes Scott College, Atlanta, GA, “A Matter of Scale”

École Régionale des Beaux-Arts, Valence, France, “A Rose is a Rose is a Rose: la Collection FRAC Auvergne”

Musée de Grenoble, Grenoble, France, “L’art d’aujourd’hui: un choix dans la Collection du FNAC”

Yale University Art Gallery, New Haven, CT, “Between Language and Form”, Jennifer Gross, Curator

Nusser & Baumgart, Munich, Germany, “Choose Your Partner”

Fundació “La Caixa”, Barcelona, Spain

Rosenwald-Wolf Gallery, University of the Arts, Philadelphia, PA, “Transcendent & Unrepentant”

Alain Noirhomme, Brussels, Belgium, “USA American Art Since 1980”

Galerie Mark Müller, Zürich, Switzerland, “Spieglein, Spieglein an der Wand”

Jan Weiner Gallery, Kansas City, MO, “Summarize/Summer Eyes”

2003Musée du Tapis et des Arts Textiles, Clermont-Ferrand, France, “La Langue dans la Boue”

Galerie Suzanne Tarasiève, Paris, France, “Edition Speciale”

Laguna Art Museum, Laguna Beach, CA, “Some Fuzzy Logic: The Joan Simon Menkes Gift”

Timothy Taylor, London, England

Museum Morsbroich, Leverkusen, Germany, “New Abstract Painting–Painting Abstract Now”

Chateau des Ducs de Bretagne, Nancy, France, “Les 20 Ans des FRAC: Un Tableau Dans Le Decor, Peintures 1970-2000”

Kunsthalle Palazzo, Liesthal, Switzerland, “Fragmente des Paradieses”

Thaddaeus Ropac, Salzburg, Austria,”Greetings From New York – A Painting Show”

Galleria Cardi & Co., Milan, Italy, “Painting Lesson”

Thomas Schulte, Berlin, Germany, “Small Masterpieces: Nine Little Giants”

2004Orlando Museum of Art, Orlando, FL; Samuel Dorsky Museum of
Art, New Paltz, NY; Chelsea Art Museum, New York, “Co-conspirators: Artist & Collector, The Collection of James Cottrell & Joseph Lovett”

L.A. Louver, Los Angeles, CA, “Paintings”

Jan Weiner Gallery, Kansas City, MO, “Summer Eyes/Summarize”

Galerie Thaddaeus Ropac, Salzburg, Austria, “20 Years 1984-2004”

Galleria Cardi & Co., Milan, Italy, “…So Fresh, So Cool!”

Galerie Monika Reitz, Frankfurt, Germany, “Abstraction”

Wichita Art Museum, Wichita, KS, “A Collective Image of America: Selections from the Permanent Collection”

Lemburg Gallery, Ferndale, MI

Centre D’Art Contemporain de la Villa du Parc, Annemasse, France, “Le Syndrome de Babylone: Collection Du FRAC D’Auvergne”

Hirshhorn Museum, Washington, D.C., “Gyroscope: Rotations
From The Collection”

Galerie Kugler, Innsbruck, Austria, “New Editions”

2005BA-CA Kunstforum, Vienna, Austria; Kunsthal, Rotterdam, Netherlands, “Willem De Kooning und Die Folgen”

Thomas Schulte, Berlin, Germany, “Yankee Love & Latin Doodle”

Galleria Alessandro Bagnai, Florence, Italy

Mixed Greens, New York, “Glimpse”, Rob Nadeau, Curator

Baumgartner Gallery, New York, “25 Years Baumgartner Gallery: Selected One-Person Exhibitions, Part Two”

Felix Ringel Galerie, Düsseldorf, Germany, “The Spirit of an Open Mind”

Museo De Arte Del Banco De La Republica, Bogota, Columbia, “Campo En Expansion: Los Ochenta En La Coleccion De La Fundacion “La Caixa” “

Domo Gallery, Summit, NJ, “New World Orders: Vision and Re-Vision”

Tottori Prefectural Museum, Tottori City, Japan, “Contemporary American Art from the Misumi Collection”

2006Galerie Sabine Knust, Munich, Germany, “Broken Surface”

John Hansard Gallery, University of Southampton, Southampton, England, “Patrick Heron, Jonathan Lasker, Katie Pratt”

Centre Européen d’Action Artistiques, Strassbourg, France, “Affinities”

National Academy Museum, New York, “The 181st Annual Exhibition of Contemporary American Art”

Lars Bohman, Stockholm, Sweden

Thomas Schulte, Berlin, Germany, “Last Call”

Connaught Brown Gallery, London, England, “Modern and Contemporary Master Drawings”

Jan Weiner, Kansas City, MO, “Summer Eyes/Summarize”

MASS MoCA, North Adams, MA, “Gunnar A. Kaldewey: Artist Books for a Global World, Four Collaborations in Depth”

Galerie Krinzinger, Austria, “Hot Springs in Autumn”

Centre Européan d’Actions Artistiques Contemporaines, Strasbourg, France, “Affinités”

2007Musée National d’Art Moderne: Centre Pompidou, Paris, France, “Nouvelle Présentation des Collections du Musée National d’Art Moderne”

North Dakota Museum, Grand Forks, North Dakota, “Conversations: Artist & Collector, The Collection of James Cottrell & Joseph Lovett”

Galleri Wang, Oslo, Norway, “Play”

Gesellschaft für Gegenwartskunst, Augsburg, Germany, “On Paper!: Amerikanische Zeichnung ab 1960.”

Elizabeth Leach Gallery, Portland, OR, “Multiples.”

Jan Weiner, Kansas City, MO, “Summer Eyes/Summarize”

Rabley Contemporary Drawing Center, Marlborough, England, “Articulated Forms”

Mint Museum of Art, Charlotte, NC, “Contemporary Cool and Collected”

Texas Gallery, Houston, Texas, “Lines”

The Clay Center, Charleston, WV, “In the Realm of the Senses: Selections from the Collection of Dr. James Cottrell and Joseph Lovett”

Lars Bohman, Stockholm, Sweden, “Donald Baechler, Jonathan Lasker, Bjarne Melgaard”

Westport Art Center, Westport, CT, “Quirky”, Michael Amy, curator

Black Dragon Society, Los Angeles, CA, “Automatons”

Maruani and Noirhomme Gallery, Knokke, Belgium, “American Abstract”

Amarillo Museum of Art, Amarillo, TX, “Selections from the Permanent Collection: New Gifts”

Orlando Museum of Art, Orlando, Florida, “Audacity in Art: Selected Works from Central Florida Collections”

2008Carl Solway Gallery, Cincinnati, OH, “What is a Print?”

Mudam Luxembourg- Musée d’Art Modern Grand-Duc Jean, Luxembourg , Luxembourg, “Out of Storage I: Peintures choisies de la Collection”

La Fundación Pedro Barrié de la Maza, Vigo, Spain, “En Construcción I”

BravinLee Programs, New York, “Works on Paper: Jonathan Lasker, Chris Martin, Thomas Nozkowski, James Siena”

Jan Weiner, Kansas City, MO, “Summer Eyes/Summarize”

Galleria II Cerchio, Milan, Italy, “American & British Artists”

2009Staatliche Graphische Sammlung, Pinakothek der Moderne, Munich, Germany, “Die Gegenwart der Linie”

Trahern Gallery, Austin Peay University, Clarksville, TN, “Jettison: New Ideas in Abstraction”

L.A. Louver Gallery, Venice, CA

Brandenburgischer Kunstverein, Potsdam, Germany, “Collecting Evidence – Part I: False Friends; The Kienzle Art Foundation”

Shaheen Modern and Contemporary Art, Clevland, OH, “On Paper”

Cheim and Read, New York, “Abstractions by Gallery Artists”

Jan Weiner, Kansas City, MO, “Summer Eyes/Summarize”

Mushroom Works, Newcastle Upon Tyne, England, “Print”

2010Kienzle Art Foundation, Berlin, Germany, “Loose Joints”, Hans- Jürgen Hafner and Daniel Kletke, curators

Galería Max Estrella, Madrid, Spain, “España / America The Redefined Abstraction”, Demetrio Paparoni, curator

Fonds Régional d’Art Contemporain Auvergne, Clermont-Ferrand, France, “Babel”

Cheim and Read, New York, “Le Tableau”, Joe Fyfe, curator

Bravin Lee Programs, New York

Tibor de Nagy, New York, “Town and Country”, Trevor Winkfield, curator

University of New Mexico Art Museum, Alburquerque NM, “Tamarind Touchstones: Fabulous at Fifty”

Orlando Art Museum, Orlando, FL, “Currents in Contemporary Art”

Hillsboro Fine Art, Dublin, Ireland, “Studies in Paint: Jonathan Lasker and John Noel Smith”

Galeria Miguel Marcos, Barcelona, Spain, “Pintura Sin Tregua”

2011American Academy of Arts and Letters, New York, “Invitational Exhibition of Visual Arts”

American Academy of Arts and Letters, New York, “Exhibition of Newly Elected Members and Recipients of Honors and Awards”

Philip Slein, Saint Louis, MO, “Jim Schmidt Presents Abstraction”

Timothy Taylor, London, England, “The Minimal Gesture”

Thomas Schulte, Berlin, Germany, “1991…”

Marianne Boesky, New York, “Night Scented Stock”, Todd Levin, curator

Patricia Low Contemporary, Geneva, Switzerland, “The Bewildered Image: American Painters from the 1980’s”

Galeria Miguel Marcos, Barcelona, Spain, “Alusiones-Ilusiones”

2012Nosbaum and Reding Art Contemporain, Luxembourg, “American Art of the 1980’s”

Galerija Contra, Koper, Slovenia, “A. ABSTR_ ACTION.”

Timothy Taylor, London, England, “Outside In”

U.S. Embassy, Luxembourg, Luxembourg, “Art in Embassies Exhibition”

Galerie Thomas Zander, Cologne, Germany, “Smile,
Amerikanische-Kunst—Sammlung Kienbaum”, Rolf Ricke, curator

Hunter College, Times Square Gallery, New York, “Conceptual
Abstraction”, curated by Pepe Karmel and Joachim Pissarro

Kunstmuseum Kloster Unser Lieben Frauen, Magdeburg, Germany, “Heute. Malerei”

2013The Painting Center, New York, “Wit”, curated by Joanne Freeman

Galerie Thomas Schulte, Berlin, Germany, “Thought”

Galerie Sabine Knust, Munich, Germany, “Spring Break”

Cheim and Read, New York, “Reinventing Abstraction”, curated by Raphael Rubinstein

Villa Arson, Nice, France, “Entrée Libre Mais Non Obligatoire” curated by Noël Dolla

Lars Bohman Gallery, Stockholm, Sweden

Kunstmuseum Kloster Unser Lieben Frauen, Magdeburg, Germany, “Keine Parole: Aktion-Malerei-Konzept, Werke aus der Sammlung Kienzle, Berlin”

Lars Bohman Gallery, Stockholm, Sweden, “PANORAMA”

Nouveau Musée National de Monaco, Monaco, “Promenades d’Amateurs”

2014Zentrum Paul Klee, Bern, Switzerland, “Taking a Line for a Walk”

Metro Pictures/Paula Cooper Gallery, New York, “CalArts Benefit Exhibition”

LA Louver, Venice, CA

Metropolitan Museum of Art, New York, “Drawings and Prints:Selections from the Permanent Collection”

Michael Werner Kunsthandel, Köln, Germany, “Night Images”

Garth Greenan Gallery, New York, “Pop Abstraction”

Centro Galego de Arte Contemporánea, Santiago de Compostela,
Spain, “93 Exhibition”

Timothy Taylor Gallery, London, England, “Slow Learner”

Michael Thibault Gallery, Los Angeles, CA, “Bad Influence”

Busan Museum of Art, Busan, Korea, “Busan Biennale 2014”

Cobra Museum of Modern Art, Amstelveen, Netherlands, “The Hidden Picture – Collecting Art at ING”

Galería Marta Cervera, Madrid, Spain, “Dense Fictions”, curated by Miguel Abreu

Galerie Thomas Schulte, Berlin, Germany, “Teach Us to Outgrow Our Madness”

2015The Hole, New York, “Post-Analog Painting”

Retrospective Gallery, Hudson, New York, “Jeremy DePrez, Jonathan Lasker, Zachary Leener”

Schauwerk Sindelfingen, Sindelfingen, Germany, “I Like America”

Office Baroque, Brussels, Belgium, “Rio”

Underdonk, Brooklyn, New York, “Paul Klee”

Jablonka Maruani Mercier Gallery, Brussels, Belgium, “12 New Yorkers”

2016Fredericks & Freiser, New York, “Strange Abstraction”

Kienzle Art Foundation, Berlin, Germany, “How to Be Unique”

Galeria Miguel Marcos, Barcelona, Spain, “Affinities”

The Orlando Museum of Art, Orlando, FL, “The Conversation Continues… Highlights from the James Cottrell + Joseph Lovett Collection”

Foundation de I’Hermitage, Lausanne, Switzerland, “Basquiat, Dubuffett, Soulages… Une Collection Privée”

Steven Zevitas Gallery, Boston, MA, “ABC/123”

Eugene Binder, Marfa, Texas, “Structural Integrity”

2017Unix Gallery, New York, “Think Paint”

Silas Von Morisse Gallery, Brooklyn, NY, “Articulate”, curated by David Cohen

Kunstalle Krems, Krems an der Donau, Austria, “Abstract Painting Now!”, curated by Florian Steininger

Arti et Amicitiae, Amsterdam, Netherlands, “Permanent Repetition” curated by Raymond Cuijpers and Cole Verhoeven

National Gallery of Canada, Ottawa, Canada, “2017 Canadian Biennial”

Kunstmuseum Liechtenstein, Vaduz, Liechtentein, “Sammlung Kienzle”

2018Pablo’s Birthday, New York, “Set Adrift on Memory Bliss”, curated by Tessa Perutz

       galerija.contra@gmail..com

       www.contra-gallery.com

       Zagreb: 00385 917944964

       

Contra gallery

Trg Josipa Jurja Strossmayera 6 - 2nd floor,

10000 Zagreb

Tuesday - Friday

15 -18

or by appointment